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Kerala Kalamandalam
Kerala Kalamandalam http://www.kalamandalam.com/ Kerala has a spectacular heritage of performing, ritual, folk and classical arts. The time - honored values lie dormant in the living traditions of these performing arts. The feudal chieftains and provincial landlords who patronized these visual and devotional arts for centuries were not only encouraging them as entertainments but were also upholding their moral and ethical messages.

Towards the close of the nineteenth century the traditional arts of Kerala were on the verge of extinction. The social, political and cultural factors which contributed to the downfall of the art forms are many and varied. This was but an ephemeral phenomenon. The dawn of the twentieth century witnessed a cultural renaissance all over India. In Kerala among those who spearheaded the cultural renaissance poet Vallathol Narayana Menon is an immortal name. Besides being an outstanding poet and scholar, Vallathol was a passionate lover of Kathakali and other similar classical dance-theatre traditions of Kerala. Against all odds he took up the task of saving Kathakali and other stylized art-forms from eclipse. Kakkad Karanavappad, an eminent scholar and Manakkulam Mukundaraja, a devoted cultural activist, were an unending source of inspiration to Vallathol in the establishment of KERALA KALAMANDALAM along the banks of the river Bharathapuzha in Cheruthuruthy, a small village in the northern edge of Trissur District. It was in 1930.
Arts Dec 16, 2006



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The swaying coconut trees in the gentle breeze is reminiscent of the soft and languorous movements of Mohiniyattam - the feminine classical dance form of Kerala. Literally meaning the Dance of the Enchantress, it is deeply rooted in femininity, GRACE (Lasya) and BEAUTY (Sringara) forming the quintessence of this dance form.Of all the classical South Indian styles, Mohiniyattam can be singled out with admirable distinction, for it's characteristic body movements, marked by the graceful sway of the torso. What is unique is the easy going rise and fall of the body, with emphasis mainly on the torso. The movements are never abrupt, but dignified, easy, natural, restrained and yet subtle. The glances, postures, gait employed are so subtle and graceful that they convey the infinite suggestiveness of radiant love.The traditional costume worn in Mohiniyattam is white with a gold border, and gold ornaments are worn. The unique coiffure with hair gathered on the left side of the head reflect it's aesthetic appeal, making it distinct from the other dance forms of India. The regional system of music that Mohiniyattam follows is the SOPANA style which in it's lyricism is evocative of the spiritual element.It was during the reign of the great Poet King, Maharaja Swati Tirunal that Mohiniyattam received considerable patronage. After his untimely demise, adverse circumstances led to the decline of this dance form till when in the 1930's Mahakavi Vallathol founded the Kerala Kalamandalam and once again revived the dance form. More recently, relentless efforts of exponents and researchers like Guru Padmashri Smt. Bharati Shivaji have contributed significantly in ensuring Mohiniyattam's place on the world map.
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Reena Duthie, Indian painter, artist - her paintings and gallery
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